Bouguereau made more than seven hundred finished works. French painter. From 1838 to 1841 he took drawing lessons from Louis Sage, a pupil of Ingres, while attending the coll?ge at Pons. In 1841 the family moved to Bordeaux where in 1842 his father allowed him to attend the Ecole Municipale de Dessin et de Peinture part-time, under Jean-Paul Alaux. In 1844 he won the first prize for figure painting, which confirmed his desire to become a painter. As there were insufficient family funds to send him straight to Paris he painted portraits of the local gentry from 1845 to 1846 to earn money. In 1846 he enrolled at the Ecole des Beaux-Arts, Paris, in the studio of Francois-Edouard Picot. This was the beginning of the standard academic training of which he became so ardent a defender later in life. Such early works as Equality reveal the technical proficiency he had attained even while still training. In 1850 he was awarded one of the two Premier Grand Prix de Rome for Zenobia Discovered by Shepherds on the Bank of the River Araxes (1850; Paris, Ecole N. Sup. B.-A.). In December 1850 he left for Rome where he remained at the Villa Medici until 1854, working under Victor Schnetz and Jean Alaux (1786-1864). During this period he made an extensive study of Giotto's work at Assisi and Padua and was also impressed by the works of other Renaissance masters and by Classical art. On his return to France he exhibited the Triumph of the Martyr (1853; Luneville, Mus. Luneville; ) at the Salon of 1854. It depicted St Cecilia's body being carried to the catacombs, and its high finish, restrained colour and classical poses were to be constant features of his painting thereafter. All his works were executed in several stages involving an initial oil sketch followed by numerous pencil drawings taken from life. Though he generally restricted himself to classical, religious and genre subjects, he was commissioned by the state to paint Napoleon III Visiting the Flood Victims of Tarascon in 1856   Related Paintings of Adolphe William Bouguereau :. | The Young Shepherdess (mk26) | Dans le bois (mk26) | Psyche | Idyll:Family from Antiquity (nn04) | The Lost Pleiad |
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William Berczy
(December 10, 1744, Wallerstein near Noerdlingen, Germany - February 5, 1813, New York City, USA) was a German pioneer and painter. Born in Swabia, Germany as a son of the Wirklicher Hofrat Albrecht Theodor Moll and Johanna Josepha Walpurga Moll nee Hefele, he was originally named Johann Albrecht Ulrich Moll, but later changed his name. He studied at the Akademie der bildenden Kenste in Vienna and at the University of Jena in Saxony. His early career was spent in several European countries, including Italy (meeting with Johann Wolfgang von Goethe in Florence) and England, where he exhibited at the Royal Academy. In 1792 he sailed for the Americas, setting up a business in York (now - since 1834 - Toronto) a couple of years later. He also worked in Quebec. Although best known for his portraits, he also carried out religious paintings and architectural work, including plans for Christ Church Cathedral in Montreal in 1803, and was a surveyor.
Aaron Harry Gorson
1872-1933
BERCKHEYDE, Gerrit Adriaensz.
Dutch Baroque Era Painter, 1638-1698 Brother of Job Berckheyde. Gerrit specialized in a particular type of architectural subject, the TOWNSCAPE. His painted work shows a debt not only to Pieter Saenredam's conception of the building portrait but also to Saenredam's refined draughtsmanship and dispassionate attitude; these qualities mark Berckheyde as a classicist and akin to Vermeer. Berckheyde favoured views of monuments on large open squares, a choice that distinguishes him from the other great Dutch townscape painter, Jan van der Heyden, who preferred views along canals in which clarity was sacrificed for pictorial effect.